This week I worked an incredible amount on shot specific lighting. This has truly tested my discipline and ability to turn out shots on a daily basis. Spending time building the master lighting for each time of day and set was an investment that I am finally seeing the returns on. Each shot only needed 1-3 shot specific lights or adjustments to existing lights to add key, fill, rim, or detail lights. It has significantly reduced the amount of time I would have spent per shot to recreate the lighting repeatedly.
4/11/2024: Act 1 Sunset Shot Lighting
Shots include s1092, s1093, s1094, s1100, & s1110
4/12/2024: Act 2 Night Shot Lighting
Shots include s2000, s2001, s2002, s2030
4/14/2024: Act 2 Day Shot Lighting
Shots include s2010, s2011, s2012, & s3000
4/17/2024: Poster Day
Teams were in very high spirits as the posters for the films were put up in the hallway for display. I was very happy to hear that many people within the class and in other class years quite liked the Mothman poster I did.
Personal Professional News: WIA Mentorship
4/17/2024: Mentorship 1-on-1
I had my first one-on-one meeting with my mentor Areeba Rikhan and got a professional material review on my texture artist reel, my texture artist resume, and my website as a whole. I am excited to report that I got very few notes and overall my materials were received quite well. I am eager to implement the few tweaks that I was suggested on my website.
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